— Bonnie Stiernberg, This song is showcase not only for those delightful vocals by lead singer Dolores Brooks and her cohorts, but also the strange genius that was Phil Spector. But with “Gimme Shelter,” the Stones—those Satanic majesties—go full-tilt to the dark side, reflecting all the apocalyptic anxiety of the Vietnam era without ever directly referencing the conflict that defined their generation. Rock-, Beat- und POP-Gruppen Diese Seite enthält eine (unvollständige) Liste bekannter Bands der 60er-Jahre. He performed as a mobile DJ in Montana in the 90s as DJ Express. Noel Redding’s bass bobs and weaves around howling guitar leads. It’s also probably the first song most folks use to turn on others to the contralto singer. She sings, “You been making your brags about town/ That you been lovin’ my man/ But the man I love, when he picks up trash/ He puts it in a garbage can.”, Owning her man “ain’t” a “saint,” Lynn has no trouble suggesting to the brazen gal stay clear. The Divers. For a hopeful and everlasting sentiment, the song’s final line reads, “I am leaving, I am leaving / But the fighter still remains.” —Laura Stanley, Has there been any song from the ‘60s that has been more watered down and neutered by its continued use in commercials, TV shows, and films than “Born To Be Wild?” There are likely arguments to be made for a lot of tunes from that decade, but the unbound spirit and thudding oomph of this song has lost all its meaning as a result. Purple Haze- Jimi Hendrix; Highway Star- Deep Purple; Time- Pink Floyd 12—respectively. Although we at Paste had previously compiled the 60 Best Albums of the 1960s, we felt that a number of songs were missing. The Rolling Stones, “(I Can’t Get No) Satisfaction”, 33. Welche Kauffaktoren es vor dem Kauf Ihres Kid rock bob seger song zu untersuchen gibt Die Betreiber dieses Portals begrüßen Sie als Interessierten Leser zum großen Vergleich. In this performance from 1973—the first time the trio had performed together in years—their harmonies are ragged and the delivery unrehearsed, but regardless, just having these musicians playing together again, and more importantly, obviously enjoying it, was a cause for celebration. — Bonnie Stiernberg, SNAP! Turn!, _said. Up until that point, the song had been bouncing along the runway, fueled by handclaps and those tightly wound harmonies of the backing vocals. —Hilary Saunders, Almost 50 years since the release of Big Brother and the Holding Company’s cover of “Piece of My Heart” and still no one can wail like Janis Joplin. “Dazed and Confused,” one of the lead, legendary originals from the band’s self-titled debut, however, helped lay down the groundwork for a storied decade to come. —Kyle McKenney, As the American public and mass media learned in the ‘60s, one of the best ways to protest unsavory governmental decisions was through song. Here are the 100 best songs from the ‘60s. The song ratchets up with intensity and emotion in much the same way that their ‘64 hit “You’ve Lost That Lovin’ Feelin’” did, but for much different aims. One of our favorite performances of this song actually came almost 20 years later, though, after divorce and solo careers. Madacy's three-disc set 60's Greatest Rock & Roll Hits collects well-known singles from the early- to mid-'60s, including Chubby Checker's "The Twist," Sam & Dave's "Soul Man," and Ben E. King's "Stand By Me." — Bonnie Stiernberg, “Walkin’” certainly marks the height of Cline’s crossover success, ranking high on both country and pop charts—peaking at No. With two dozen people voting for more than 500 songs, we whittled the list down to the top 100 hits of the ‘60s. One of many Lynn songs banned for their candor, the Kentuckian singer lobs a perky opening salvo at the bigmouth homewrecker. Not bad for a song reportedly written after Hendrix wanted to sit by a fireplace on a cold English day. 1 singles by the time this single was released in 1968, but the country star’s incarceration a decade earlier gives this rueful number a particular authenticity. Nancy Sinatra, “These Boots Are Made For Walkin’”, 96. Progressive rock strengthened its roots and the Canterbury scene which emerged saw jazz-rock and jazz fusion elements used creatively and innovatively. As they move back for one last verse with Lennon, the transition is made with Lennon drifting off into a vocal daze, druggy and gorgeous, and it all leads to that long final chord, made from three pianos and a harmonium—the perfect, haunting end to the perfect song. Marty Balin and Grace Slick’s harmonization remains one of the first important guy/gal pairings that has influenced countless bands through the decades. Logic Songs HD Midifile Acrobat Lektor Englische Midifiles → Pop & Rock → Pop & Rock 60er Jahre Interpreten in Pop und rock 60er jahre Al Martino (1) Animals, The … —Max Blau, © 2020 Paste Media Group. The soft layer of sound created by Simon’s guitar is pierced by fierce beats on a snare drum that makes one of the best instrumental moments from any Simon & Garfunkel song. — Bonnie Stiernberg, Everyone from The Beatles to She & Him has covered this track, but no one can touch the original. King Crimson, “21st Century Schizoid Man”, 80. “Walkin’ After Midnight,” Patsy Cline, 78. And the vocal is framed with precision and love by the instrumental solos: guitar at the opening, electric violin and flute in the middle of the song. And as we all know, the song went on to be a huge hit, giving this California-based pop group their lone No. Soul, blues, jazz, pop—put it in front of her, and she could sing it, breaking your heart on one track by sounding gritty, raw and broken before putting a big, stupid grin on your face on the next song with vocals that were smooth and pristine. — Bonnie Stiernberg, No one wonders why bands still love to cover “I Wanna be Your Dog” in 2014. What did you do when you were 12? All Rights Reserved, 100. Van claimed he never saw a penny of royalties and the contract he naively signed rendered him liable for all expenses incurred during the recording process, which is probably a big reason why he doesn’t consider it one of his favorite songs from the catalog. On Stand!, Sly & the Family Stone achieved a near-perfect balance, especially with songs like “Everyday People” that epitomized the refinement of their earlier work. The Righteous Brothers, “Unchained Melody”, 97. —Robert Ham, Covered by the likes of Calexico and The Damned, “Alone Again Or” was written by Love guitarist Bryan MacLean, and intended for the band’s 1965 debut. Marvin Gaye, “I Heard It Through The Grapevine”, 6. The music itself is simple, as most of Fogerty’s tunes are. Plus, it helped those boys in Remember The Titans work out their differences. — Bonnie Stiernberg, Originally titled “Brown Skinned Girl,” this Calypso-kissed AOR staple about an alleged interracial tryst and deemed too hot for pop radio upon its release was without question the biggest hit from Morrison’s ill-fated tenure with groundbreaking producer/songwriter Bert Berns and his Bang Records label. Top 200 Rock Songs der 60er, 70er, 80er, 90er Die besten Rock-Lieder – Klassiker der Rockmusik Sebastian (Gründer von Musiksocke) Garage rock was a raw form of rock music, particularly prevalent in North America in the mid-1960s and is called such because of the perception that many of the bands rehearsed in a suburban family garage. The electric guitar’s role in rock music would never be quite the same. Simon & Garfunkel, “The Sound of Silence”, 5. Smokey Robinson, “Tears of a Clown”, 58. The ever-trippy “White Rabbit,” one of the album’s two major hits, helped a counterculture movement filled with an influx of traditional pop and hallucinatory vibrations. Crosby, Stills & Nash, “Wooden Ships”, 49. The Marvelettes, “Please Mr. Postman”, 94. “Blowin’ in the Wind” stood out for its brevity (rare for Dylan) and social consciousness at the beginning of the Civil Rights Movement. Turn! —Robert Ham, The Hollies, one of the more underrated groups to come from the British Invasion, finally broke through in America with this chirpy 1966 single that charmingly tells the tale of finding love while waiting for public transit. A simple tune, not full of the vocal theatrics that he so often performed, it could easily start conversations about the Otis Redding that could have come. Everybody look what’s going down…” The title of the song is perfect: “For What It’s Worth.” There is no bitterness, no dialectic…just description, and a word of unspoken advice: hold back from the battle—look around—we’ve already won the War. —Robert Ham, Being of a certain age, this song will forever be cemented in my mind as the one that soundtracks Patrick Swayze and Demi Moore getting all sensual with clay in Ghost. —Robert Ham, It’s hard to think of any one record that has influenced an entire genre as much as the 13th Floor Elevators’ seminal debut The Psychedelic Sounds of the 13th Floor Elevators influenced the future of psych rock. So spielte Bob Dylan anfangs Stücke von Woodie Guthrie, die Beatles übernahmen Songs von Little Richard und Carl Perkins, die Rolling Stones spielten Blues von B. Who’s your daddy?” gives the song an added risqué allure. Co-written by the artist with his longtime collaborator Bill Dees, the tune remains iconic thanks to its perfect structure, the range of emotions it hits on (joy, sadness, lust, envy, and more) in just under three minutes, and that opening guitar hook that will remain part of the rock canon until this planet disintegrates. Other timeless lyrics like, “And the people bowed and prayed / To the neon god they made” makes “The Sound of Silence” forever an important song in music’s history. “”Some things we fudged on slightly to make it rhyme, but the majority of it’s pretty accurate, I guess,” Haggard told NPR of the song in 2010. “I was probably the most incorrigible child you could ever meet. Was für eine Stimmung! Written by future 10cc member Graham Gouldman, the song still works in the way that romantic movies still capture our attention. It may have been a hard left turn away from the blues-based rock and pop the group was doing up to that point, but that doesn’t diminish the song’s power one iota. After the track hit number one, The Temptations’ decidedly less gritty version was released, but by then, Starr’s take had already cemented its status as the definitive version. However, whether he liked it or not, “Brown Eyed Girl” has since become his reluctant calling card, the one Van Morrison song everyone seems to know about due to its firm place on classic rock radio, its appearance in such acclaimed films as The Big Chill and Born on the Fourth of July and the fact its a song in regular rotation in the iPods of no less than two American presidents. The Rolling Stones, “Gimme Shelter”. — Bonnie Stiernberg, With the signature kick drum intro that has been emulated and imitated ad nauseum since, Phil Spector outdid himself when he wrote the girl-group classic “Be My Baby.” The only thing that could improve such a simplistically genius song is the impeccable vocal capacity of the remarkable Ronnie Spector and the Ronettes. Otis Redding and Carla Thomas, “Tramp”, 88. It’s those first few moments after a bad breakup or the beginnings of a long distance relationship with an uncertain future. —Robert Ham, The key to loving this song is to falling hard for the very end when lead Angel Peggy Santiglia moves past the restraint she’s exhibited for the rest of the song and starts singing for the rafters. Through all its agitation—the off-kilter drum fills, furious horn solos, and rolling bass lines—there’s an underlying heartbeat centering the rhythm when it almost falters. — Zach Blumenfeld, Jazz has a supernatural presence when crafted correctly. Und am Wochenende trampten halberleuchtete Zeitgenossen The Angels, “My Boyfriend’s Back”, 60. In den 60er Jahren wandelte sich die Musik vom leicht konsumierbaren Dreiminutensong in politischen Tiefgang. 2:22 PREVIEW Rien Du Tout (feat. But even if this 1963 single should actually just be taken at face value, “I Want To Hold Your Hand” exemplifies the era’s joyful pop rock, noted by kitschy handclaps, a swinging backbeat and perfect Fab Four harmonies. And yet the sing-along chorus – a rarity in Hendrix’s catalog — outshines everything. —Robert Ham, While there remains some mystery surrounding Jerry Garcia of the Grateful Dead’s involvement with Jefferson Airplane’s folk-psychedelic classic Surrealistic Pillow, it’s certain that the album remains a premier example of the concise blends of the bohemian 1960s. One great example is the Byrds electric cover of Bob Dylans' acoustic "Mr. Tambourine Man". The Shirelles, Edith Piaf, Bobby Darin, Neil Sedaka, Ben E. King, Ben E. King, Ray Charles, The Drifters, Dion, The Shadows, Ray Charles, Little Eva, Tony Renis, Elvis Presley, The Tokens, Johnny Cash, John Lee Hooker, The Ronettes, Lesley Gore, Bob Dylan, The Animals, The Beatles, The Trashmen, The Drifters, The Dixie Cups, The Mamas & The Papas, The Righteous Brothers, The Animals, The Seekers, The Rolling Stones, Nancy Sinatra, The Beatles, Frank Sinatra, Percy Sledge, The Rolling Stones, The Doors, The Beatles, Procol Harum, Scott McKenzie, The Bee Gees, Aretha Franklin, The Rolling Stones, Dusty Springfield, Adriano Celentano, Steppenwolf, Elvis Presley, The Beatles, The Archies, Joe Cocker, Led Zeppelin, San Francisco (Be Sure To Wear Flowers In Your Hair), (Your Love Keeps Lifting Me) Higher And Higher. James Brown, “I Got You (I Feel Good)”, 16. —Josh Jackson, Supposedly, this ballad was written as a response to the turbulent times when the Civil Rights Movement and anti-war protests were reaching their peak temperatures. That startling drumshot of an opening: Al Kooper’s beckoning, carnivalesque Hammond B-3 organ part and Michael Bloomfield’s electric-guitar curlicues run around Dylan’s own determined rhythmic playing. There was also the onset of the British Invasion with the ever popular Beatles and Rolling Stones. Though seemingly saccharine thanks to Bobbie Gentry’s sweet soprano and the song’s repetitive structure, the lyrics actually detail a violent scene, as “Billie Joe McAllister jumped off the Tallahatchie Bridge.” Even still, the song spent four weeks at No.1 in 1967. —Hilary Saunders, King and Queen, consisting of duets between Stax stars Otis Redding and Carla Thomas, was the last album Redding would release in his lifetime. langen Haaren, ungewaschenen Schlaghosen, zerschlissenen Jesus-Latschen, Woodstock-Festivals, und endlosen Gitarrensoli With 50 years of study, it’s easy today to see the song’s surrealistic lyrics for what they were—a knowing retort, but empathetic, to a privileged woman who has had her comeuppance. Der Metal und Rock, den wir heute im Radio hören, wurde maßgeblich in den 80er Jahren geprägt. It’s a song that serves as a portrait of a specific scene, expertly reflecting a certain time and place when hedonistic socialites, intellectuals and bohemians converged on The Factory to challenge social norms, demand acceptance and be codependent—and it does it all with only two chords. —Ross Bonaime, Maybe the best known of all the Man in Black’s songs, “Ring of Fire” perfectly encapsulates the Tex-Mex style of country that would propel Cash to lasting stardom. Bobbie Gentry, “Ode to Billie Joe”, 90. In 1968, “Fist City” was a revolution—a woman with no shame taking care of what’s hers. Turn! Da war der Beat, und er ließ keinen mehr los. That’s what the guy on the back of their second album _ Turn! “There’s something happening here; what it is ain’t exactly clear. —Robert Ham, We once designated this song as one of 10 songs people need to stop covering. Hier findet ihr unsere liebsten Rock- und Metal-Songs der 80er Jahre! The Shirelles, “Will You Love Me Tomorrow”, 69. And who doesn’t inadvertently clap along to that middle section? Nina Simone, “To Be Young, Gifted, and Black”, 40. 1 on the Billboard Hot 100 chart thanks to the bludgeoning guitar and singer Reg Presley’s vocals, which go from sounding almost distracted to unsettlingly focused when he veers into the famous chorus. Zu den besten Rock-Liedern! Enjoy the best music of the '60s for free. —Logan Lockner, Led Zeppelin wasn’t exactly treading new ground when Jimmy Page formed the group in 1968, bringing them together to release their self-titled debut a year later. Phil Ochs, “I Ain’t Marching Anymore”, 52. B. Those unforgettable power chords laid the groundwork for generations of hard rock bands to come. Anfangs noch im Anzug, später dann im Bett, John Lennon, Yoko Ono und der Weltfrieden. — Bonnie Stiernberg, The Supremes were, bar none, the most successful Motown girl group. Robinson remarked that it “sounded like a circus,” and the rest, as they say, is history. True to the title and the song’s worshipful spirit, it moves up into the stratosphere with each passing minute with the help of Jackie Wilson’s unbound falsetto and a bridge section that lets the horns burst out like a heavenly call to action. The Jimi Hendrix Experience, “Fire”, 63. Rock ’n’ Roll (kurz für Rock[ing] and Roll[ing]) ist ein nicht klar umrissener Begriff für eine US-amerikanische Musikrichtung der 1950er- und frühen 1960er-Jahre und das damit verbundene Lebensgefühl einer Jugend-Protestkultur. —Hilary Saunders. —Tyler Kane, It wasn’t the first entry in the psychedelic rock canon, but by March of 1967 no song had gone quite so far in creating a nightmarish alternate universe as “Purple Haze.” Structurally simple yet harmonically complex, it was a plodding, bad trip anthem that turned the blues inside-out and invented heavy metal doom riffage in the process. — Bonnie Stiernberg 28563, Aretha Franklin was originally offered a chance to record “Son of a Preacher Man” but turned it down, leaving it to become British pop diva Dusty Springfield’s trademark song. Although songs like “Sunshine of Your Love” deliver a distinctly late-’60s psych sound, the band went on to become influential in the forming of metal, prog and jam bands. Turn! Big Brother and the Holding Company, “Piece of My Heart”, 29. —Hilary Saunders, Adapted from a French pop tune from the ‘40s, Bobby Darin’s follow up to the one-two commercial punch that was his other late ‘50s hits, “Dream Lover” and “Mack The Knife,” allowed the crooner to show off another shade to his versatile voice. (Foto: Autor) Der amerikanische Musiksender VH1 hat eine Liste der 100 besten Hard Rock Hits aller Zeiten veröffentlicht. The Beatles, “I Want to Hold Your Hand”, 41. The very concept of the song (“California dreamin’ on such a winter’s day”) is evocative; but it is the execution of the song that makes it a masterpiece. The formal structure of a constant rhythmic ground can overcome any material. Top 200 Rock Songs der 60er, 70er, 80er, 90er It’s become a virtue. The Zombies, “Time of the Season”, 19. 13th Floor Elevators, “You’re Gonna Miss Me”, 91. Peter, Paul and Mary, “If I Had A Hammer”, 43. —Marcus J. Moore, If you were to round up a team of the world’s finest scientists, mathematicians and pollsters to determine the most instantly recognizable guitar riff of all time and came back with anything other than the pure bliss of Keith Richards’ fuzzed-out “Satisfaction” intro, we’d tell you to throw out all your data and go back to the drawing board. 27.08.2017 - Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. It was a call to liberation. Martha and the Vandellas, “Dancing in the Street”, 44. Like in most of his work, Reed offers a harrowing tale without any overwhelming judgment. 1 single and knocking “Penny Lane” out of the top spot. Sie verbreiteten diese Vibes, die einzigartig waren und immer noch nachklingen. You will either start tearing up or looking out your nearest window to watch the world drift by. Sly & The Family Stone, “Everyday People”, 38. Liste: Beste Rock Bands der Geschichte in Punk, Indie, Hard Rock, Metal, Wave, Electro. Da passierte so viel: an der Ostküste siebte Andy Warhol Campbell Suppendosen auf die Leinwand, an der Westküste flanierten die Hippies über das The Stooges, “I Wanna Be Your Dog”, 23. Beat-Club. There was also the onset of the British Invasion with the ever popular Beatles and Rolling Stones. But it never comes to rest. The Supremes, “Stop! Just sayin’. —Holly Gleason, Stevie Wonder was just 12 years old when he recorded what would go on to become one of the first live songs to hit number one, making him the youngest person in history to top the Billboard Hot 100. Musically, the song mimics the narrator’s high, starting off slowly, then picking up speed and building to a frenzied crescendo (highlighted by John Cale’s viola screeches) before coming back down again in the end. Rock Die Rockmusik geht auf den Rock ´n´ Roll der 50er-Jahre zurück, der seinerseits aus der Verbindung von Countrymusik und Rhythm & Blues entstand. —Adam Vitcavage, The Byrds—a ‘60s group including the folks who went on to become Crosby, Stills, and Nash—are eclectic. The space below showcases the best songs of the 60s and 70s. Songs were chosen and ranked based on initial and lasting popularity, acclaim and influence. Diese haben sich zum 60-jährigen Bestehen ihres Blattes der Mammutaufgabe gestellt, aus jedem Jahrzehnt die 100 besten Songs zusammenzustellen. Find album reviews, stream songs, credits and award information for Rock 'n' Roll Jukebox: Hits from the '50s & '60s - Various Artists on AllMusic (But don’t worry, you can just click here to find our best-of lists for some of those bands like The Beach Boys, The Rolling Stones, The Beatles, The Kinks, and The Velvet Underground.) Oldies der 50s, 60s, 70s und 80s - Oldies Radio. Divested of any visual accompaniment, “Born” still sounds as fierce as ever with a searing guitar hook and growling vocal performance by John Kay that laid the template for hard rock and heavy metal. 1. —Beca Grimm, Other songs may be more influential or boast wittier lyrics, but none are as simply beautiful as “Waterloo Sunset.” The guitar part feels like a hug from an old friend, and the lyrics remind us that sometimes all you truly need is someone to walk along a bridge with. The term may also be applied to an artist who is remembered for only one hit despite other successes. Jefferson Airplane, “White Rabbit”, 55. The fact that you are married only proves you’re my best friend.” Anyone who has ever been friend-zoned can relate to the aching sadness oozing from this track. — Bonnie Stiernberg, The passion in frontman Levi Stubbs’ vocals is palpable, but in case you didn’t pick up on it, he drives it home with the line “You mean more to me than a woman was ever meant to be.” — Bonnie Stiernberg, If this song sounds suspiciously like a Motown rip-off, fear not. It’s inspired countless “singing into a hairbrush” moments, in film and real life alike. —Logan Lockner, A hauntingly beautiful tale of unrequited love, “Pale Blue Eyes” is about recognizing you’re being used and allowing it to happen anyway. —Kurt Suchman, “The Weight” remains The Band’s most well-known song to date, and who can complain with that? (I CAN’T GET NO) SATISFACTION – Rolling Stones (1965) One of the Stones’ biggest hits, and … —Robert Ham, Ed Sullivan famously told Jim Morrison to refrain from singing the line, “Girl, we couldn’t get much higher,” before the Doors’ performance of “Light My Fire” on his show on live television in 1967. Yet, Nancy Sinatra’s 1966 country-pop single is so relatable that it’s been adapted into metal, punk, and dance tracks. — Bonnie Stiernberg, This song is the consummate piece of early ‘60s pop. Erfolgreichste Alben Grammy Winner Supposedly when a very inebriated Sonny Bono and his former musical/romantic partner Cher went on Letterman back in 1987, they weren’t expecting to get shoved unceremoniously into the spotlight once more to sing their signature pop classic “I Got You, Babe.” Prearranged or not, the moment when they both gave in and gave a delightful performance of the song made for some great television. 1 single by an all-girl group. Den Anfang machen bei uns die 60er … We have all, at one point or another, longed to stumble upon that special someone in “meet cute” fashion. Hard Rock Hits: Die 100 größten Hard Rock Songs Backstage bei den 100 größten Hard Rock Hits. I think it’s time we stop, children, what’s that sound? French Rock may have sounded like American or British rock & roll, but it was sung in French and had distinctly French themes. Beyond Richards’ iconic riff (which he claims came to him in a dream), there’s Mick Jagger—part bluesman, part Marilyn Monroe—in top form, pouting out verses about being sexually frustrated and fed up with commercialism.